"I think I need to read them (the scripts) a few times," grins Raquel Cassidy, who played Foreman Miranda Cleaves. "I was cast three days before we were due to film, and those days were sort of swallowed up by prosthetics appointmentsand costume and stuff like that. So it was a bit of a speed-read to go 'Can I do this? Do I want to do this?' and then 'What does it mean?' so I think it took a while... and, if I'm really honest, because they were long days filming and because I took my family with me, I'm not sure I really knew who I was for a good couple of weeks, which is pretty scary!"
It must've been fun though? "Oh yeah I certainly remember the first day filming, the first scene we filmed, just looking at Matt, looking at this piece of computer thing in an old ruined castle, thinking 'I'm in Doctor Who! And I don't know who I am!' That kind of carried on for a while, I think. It didn't stop it being fun, but as an actor, obviously that's quite a difficult place to be."Julian Simpson
Speaking of difficult places to be, filming took place in the middle of Winter at Neath Abbey and three castles - Cardiff, Caerphilly and St Donat's - which were "rugged, cold environments," as director Julian Simpson recalls. "The reason we needed more than one was because the script demanded a whole bunch of different rooms within the monastery, and we knew we weren't going to find them all in one castle - partly because most castles aren't intact anymore, and partly because you want different looks and feels because you're spending two episodes in one place."
Armed with production designer Michael Pickwoad's plan of the fictional monastery, showing how the different locations connected, it looked like everything was going smoothly for Julian. "But I managed to slip on ice outside my apartment on day four, and did all the ligements in my ankle in, so I spent the entire shoot on a walking stick," he laughs. "It was absolutely the right place to shoot, and I'm glad we did it, but it was tough, it was a tough shoot."Matthew Graham
But if the episodes were tricky for Raquel and Julian,, they were even more so for the writer Matthew Graham who - as he revealed in last issue's preview - originally planned to write a single episode, before having a two-parter sprung on him. "It's a tall order," he admits. "You're hogging two Saturday nights, so you are aware that you've got to tell a really good story. I wanted to tell a good story, with good characters, and for it to be as scary as we could get away with. There were some bits we had to take out, in the end, because they were too nasty, too scary. But that's a good sign. That was the way I wanted to go."
What worries did Matthew have about two-parters before he was asked to write one? "The preconception was that I would go and write a cracking kick-off story - loads of fantastic ideas, loads of jeopardy - and then I'd reach a cliffhanger and wouldn't know where to go from there. What I did was I sort of planned out an endpoint. I knew where I wanted it to finish, and I knew where I wanted Episode 1 to climax. What I didn't have was the bit between the start of Episode 2 and the end. That was probably the hardest script, then. That was the one I rewrote the most.You can read the whole interview with Matthew Graham in DWM Issue 435.
Message interuptedAlso, don't forget to watch the concluding episode, the Almost People, next Saturday at 6:45pm. Don't forget to look out for:
A solar tsunami sends the TARDIS hurtling towards a futuristic factory on Earth, where human doppelgangers are used to mine dangerous acid, as the time-travelling adventures continue.
A second wave hits and the “Gangers” separate. They can remember every second of their “original’s” life and feel every emotion they’ve ever experienced. But are these memories stolen or have they been bequeathed? Are the Gangers merely faulty machinery that must be shut down or are they living, breathing, sentient beings? Can the Doctor convince the terrified humans to accept these “almost people” and prevent an all-out civil war before the factory explodes?EPISODE SIX - THE ALMOST PEOPLE
EPISODE SEVEN - A GOOD MAN GOES TO WAR
Amy Pond has been kidnapped and the Doctor is raising an army to rescue her as the drama continues. But as he and Rory race across galaxies, calling in long-held debts and solemnly given promises, his enemies are laying a carefully concealed trap.
In her cell in Stormcage, River Song sadly acknowledges that the time has come at last – today will mark the Battle of Demons Run and the Doctor’s darkest hour. Both sides will make their sacrifices and River Song must finally reveal her most closely guarded secret to the Doctor.So what do you think of these synopses? Write your theories in the comment box below.
Well, I was hoping to do the last series, the first Matt Smith series. I had a very nice lunch with Piers [Wenger, executive producer] and Steven [Moffat] and we talked about ideas and had this storyline for a single. And we were quite excited about it, but I was whizzing backwards and forward to America a lot at that time, and I was also gearing up on the last series of Ashes To Ashes, which I knew needed all hands to the pumps.
So, I just panicked and thought I wouldn't have enough time. So, I contacted Steven and said I've got to bow out, regretfully. And then after the series went out, I got an e-mail from Steven, a typical Steven e-mail in capital letters, that read "thanks for abandoning me to do the series on my own. So what about series 2?" I couldn't say no, really!When asked about the connection between Fear Her and The Rebel Flesh/The Almost People:
It's brand new. It's totally brand new. I've just watched them, actually, and I think they are absolutely fab. I think they're some of the best writing that I've ever done. And it's brilliantly directed, and brilliantly made. And I just hope everyone likes it.
When asked about Fear Her:I really hope that those who maybe thought that Fear Her was too childish and too silly, I'm hoping that that will silence them. This is my response!
I'm actually thrilled with it. It's not what I'd have chosen if I'd come to Doctor Who, obviously. When you come to Doctor Who, you want to tell a story with monsters. You want spaceships. You want the Tardis in mortal peril. You want big, epic science fiction adventure. Of course, you do. That's why you write it.
But I was just so thrilled to be asked to write it, even when Russell [T Davies] said, "Look, it's going to be a more inexpensive episode, and it has to take place on a housing estate," I still said, "Fine."
I wanted to write for David Tennant, for Billie Piper, and be part of TV history. So, I said, "Absolutely." I was thrilled with it.
What we had set out to do right from the start with Fear Her was tell a story that was aimed very much at children. For children, not really for adults, not really for the older Doctor Who fans.
It was aimed at the kids, because Army Of Ghosts and Doomsday were coming up, and they were going to be very big, very dark and very traumatic. And Russell wanted a playground adventure. He said, "How old is your son?" At the time he was seven. So, he said, "Write this one for your son." That's what I did. I did something that was in primary colours, that had a scary voice in the cupboard. I always say that other people got cybermen, I got two blokes with a red lamp rattling a wardrobe!
But, to be honest with you, I didn't go online particularly and read the responses. From my side of it, the response was brilliant. I had loads of kids write to me and say how much they enjoyed it. And it was only later I realised that the older fans had reacted badly to it. So, I went, "Well, it's a shame that they have, but it wasn't meant for them."
The Rebel Flesh and The Almost People are different. As far as I'm concerned, this is proper, across the board Who. Adults, kids- if they can watch it, because it is scary. I showed it to my wife the other night, and there were a couple of images in it where she went, "Actually, that's quite scary. That's not very pleasant." And I notice that it's going out a bit later. I wouldn't be surprised if they put a warning out beforehand.
I was happy with Fear Her, but when I came back I did say, rather selfishly, "I want epic, I want monsters! And science fiction, and gadgets, and lots of stuff happening." And they gave it to me!When asked about the Flesh:
The Flesh? Well, all the stories in Doctor Who start with a basic idea from Steven. And I went and spent a day with him in his kitchen, and he said, "I want to do something about avatars." And I said, "Oh, Steven, are you sure?" I mean, the film was still playing at the time in cinemas. And he said, "No, no, no, this will be good. This will be like The Thing."
So, it's workers that create copies of themselves to do jobs that are too dangerous, too unpleasant. And he said, "I don't know how, but somehow, these things take on a life of their own." And I thought, "Okay, that's better," and then we started talking.
When asked about any ongoing narrative bits:He planned to set it in a factory and I had it in my head that I wanted to do something in a monastery with a The Name Of The Rose feel to it.
Yes, yes I have. But I've got two cliffhangers, which is not bad for a two-parter. I've got my part one cliffhanger, and I've got a part two cliffhanger that leads into Steven's A Good Man Goes To War.
When asked about the episode cliffhangers:I can say this because the premise of this final scene was given to me. I wrote [the cliffhanger scene] and I put my own dialogue in. [Steven] said, "This is what's got to happen," and it was just great. Just whoa! People are not going to be able to wait until next Saturday!
I wrote the script, I said, "I'm finished," and then Steven said, "Now I know exactly what I'm doing with episode seven. I need you to do something like this." And he explained what he wanted it to include and I loved it.
I've said it before, I think, that it's like being the writer and the viewer at the same time. And you're also going, "Wow, what's going to happen next?"
Finally, when asked about writing future episodes:What I find about cliffhangers is that there's the easy cliffhanger, which is to put the Doctor in jeopardy. And everyone knows that the next week he's not going to be dead. They used to do that in the old days as well. I tried to make my cliffhanger something that is just a ratcheting up of the story. So, at the end of The Rebel Flesh, you're not thinking, "Is the Doctor going to die?" You're thinking, "Oh, my God. What's going to happen now?"
I haven't, no. I said to Beth at the read through that if I can do any more I'd love to, and she said, "Oh, yeah. That'd be great."
But I didn't push it then, because I know they've still got their heads still full of this series. But I floated it out there, that I'd happily come back.
To read the whole interview, follow the link below:They seem very, very pleased with the episode, so I hope that they'd consider asking me back.
